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Teaching materials

Animated GIF: Theory and Practice

 

 

Short educational programme about animated GIF is conducted in three parts: the introductory public lecture, workshop with participants and final exhibition of their works.

 

The lecture is focused on history of animated GIF, its cultural and technical characteristics through analysis of selected GIFs that are classified in the following groups:

 

1. beginnings of animated GIF – websites of corporations. Relation to XIX Century optical toys 
2. reaction GIFs 
3. frame grab (frame capture) GIFs and animated culture
4. collages and interventions on visual materials 
5. glitch and kaleidoscope effect
6. artistic illustrations and animations 
7. authored documentations: time-lapse photography and stop-motion film (architecture and art)

 

The workshop is organised through field work with students within an urban area or a single building which is an example of modernist architectural and cultural heritage. Students approach it through art research in form of photographs and animated GIFs, focusing on pedestrians, movement, open space, model of the object, light in interior space, facade, staircases, etc. Though individual work and consultations with the lecturer, students consider additional visual effects, manipulations, editing and interventions on the digital or analogue material they created, as well as the ways in which the works can be exhibited.

 

The resulting exhibition will present the created works in two ways. All final animated GIFs will be projected in continuum in order to be seen in their final form. Apart from that, each GIF will be presented in analytic-deconstructive form so that each of its fames/layers is seen. This segment is of particular importance because GIFs can be very fast and have low quality, so the more complex works require a static version that reveals the full quality of these works. This static version can take a form of small format prints, or a form of a booklet, or diagram which presents the process of making or author’s path while taking photographs, or a map with marked points where each of the GIFs was created.

beginnings of animated GIF

    - websites - deer for Monoskop log

    - relation to XIX Century optical toys, such as this phenakistoscope           disc, England, 1833, from collection of Richard Blazer

 


 

Collages and interventions on visual materials. Unknown authors [above]

[bellow] Scorpion DaggerJustyna Polar, Self-portraita. l. crego

Collage-documentation (Mark Rothko)

Reaction GIFs

    Frame grab (frame capture) GIFs

Frame grab GIFs with original or added texts

[left] Divine from John Waters' Pink Flamingoes

[right] GIF by ABVH (Nikola Silić)

Glitch and kaleidoscope effect. [right] Sholim (Miloš Rajković)

Renders

Artistic illustrations and animations 

[left] La verbena by Lady Desidia

[right] Guillaume Kurkdjian, Regarding exhibition at Cornell AAP

Authored documentations of architecture and art

[left] Bart Radecki, 3d printed model og Le Corbusier's church

[right] Mladen Vračarić, Untiteld, 2014

[left] PR practices - Storefront for Art and Architecture International Series - Dominican Republic

[right] Time-lapse data - areas claimed and controled by ISIS, 2014

Curated animated GIF exhibition.

 

Image: Sarah Weis, from the exhibition “David Bowie is”, Sep 25 – Nov 27, Art Gallery of Ontario, Canada

Artists: GIF Installation: Alex McLeod, Claudia Maté, Lorna Mills, Rea McNamara w/Isabella Brathwaite, Georges Jacotey, Dafna Ganani, Gaby Cepeda, Anthony Antonellis, Sarah Weis, Yoshi Sodeoka, Andrew Benson, Rodell Warner, Luc Hyo Myoung Kim, Mattie Hillock, Max Capacity, Eva Papamargariti

Curated by Lorna Mills

Gotovac.gif

Animated GIF used for publication within retrospective exhibition of work by Tomislav Gotovac at Museum of Modern and Contemporary Art in Rijeka - Tomislav Gotovac, Anticipator kriza – Kuda idemo ne pitajte (22.9-26.11.2017)

SEE ALSO

 

Online tutorials on making GIFs, provided for the GIF IT UP event, an annual gif-making competition for the most creative reuse of digitised cultural heritage material. In 2019, it had its 6th edition, run by Europeana in close cooperation with Digital Public Library of AmericaDigital NZ and Trove. Within the event, from 1 – 31 October, all gif-­makers, cultural heritage enthusiasts and lovers of the internet are invited to create brand new gifs by remixing copyright-free and openly licensed material from four international digital libraries.

Getting creative with stickers & effects – make your first GIF (Europeana)

 

Playing with colours – make your first GIF IT UP entry (Europeana)

 

How to make a GIF from a series of photos (Europeana)

 

Make a GIF from a vintage video (Europeana)

 

Gif-making online workshops (DPLA)

 

How to make a GIF using free software (DigitalNZ)

 

How to make an animated GIF from a stereograph (DigitalNZ)

 

How to make an animated GIF using Gimp software + screencast (DigitalNZ)

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